By Robert Scucci | Published 27 seconds ago The Humanity Bureau is a perfect example of how a solid idea bolstered by a strong cast can still fall flat if the screenplay has a massive identity crisis. While I can’t fault Nicolas Cage (who can?), Sarah Lind, or Jakob Davies for understanding the assignment, I can most certainly fault the assignment itself, which is a dystopian sci-fi thriller that’s sentimental and contemplative one second, but only before becoming a high-octane action outing that attempts to explore and unpack the existential crisis that’s found at its core. Though we’re talking about a single movie with a single overarching plot, each passing scene made me feel like I blacked out before coming to and finding myself watching an entirely different film on
